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Your South Florida Theatre's Production Pictures Here

Contact SFTN to find out how to get your production pictures posted here on our blog.

Your South Florida Theatre's Production Pictures Here

Contact SFTN to find out how to get your production pictures posted here on our blog.

Your South Florida Theatre's Production Pictures Here

Contact SFTN to find out how to get your production pictures posted here on our blog.

Your South Florida Theatre's Production Pictures Here

Contact SFTN to find out how to get your production pictures posted here on our blog.

Wednesday, June 20, 2012

Reviews of La Cage Aux Folles at The Broward Cener

The national tour of La Cage Aux Folles is currently at the Broward Center for the Performaing Arts until June 24.  Music and lyrics by Jerry Herman, book by HarveyFierstein.  Directed by Terry Johnson.  Starring: George Hamilton, Christopher Sieber, Dale Hensley, Michael Lowney, Jeigh Madjus, Gay Marshall, Allison Blair McDowell, and Todd Lattimore.
 

Christine Dolen reviewed the show for the The Miami Herald:
That story centers on a family crisis for Saint-Tropez nightclub impresario Georges (George Hamilton) and his longtime partner and star Albin, aka Zaza (Christopher Sieber). The son they raised together, Jean-Michel (Michael Lowney), has come home to introduce his fiancée Anne (Allison Blair McDowell) and her parents to his folks. But he’s embarrassed by the flamboyant Albin, the only “mother” he’s ever known, because Anne’s judgmental Papa is a pro-family, anti-gay politician who has vowed to wipe out clubs like La Cage.

Sharper than a serpent’s tooth, Jean-Michel asks Georges to ask Albin to vanish for a day. That emotionally devastating request sets up the musical’s most powerful number, the prideful anthem that closes the first act. And to hear Sieber — dressed in glamorous drag as Zaza but singing as the deeply wounded, fierce Albin — perform I Am What I Am is genuinely transcendent theater.

Georges is supposed to be different from Albin, a bit more controlled, a lot less dramatic. But Hamilton and Sieber are a mismatch. The movie and TV veteran is a strikingly handsome, smiling, charming presence who doesn’t look 30 years older than Sieber, though he is. His singing voice and dance moves are passable, but the real trouble lies in his too-small, too-subtle acting. Performing in a musical, particularly one as bold and comedically bawdy as La Cage aux Folles, demands bigger, more powerful choices than the ones Hamilton makes.

Quick-thinking cast member Todd Lattimore, done up like a ‘40s Fort Lauderdale pinup girl, does a hilarious pre-show warmup that gets the audience in a happy, receptive mood before the curtain goes up.


Mary Damiano reviewed the show for Florida Theater On Stage
Based on a 1973 French play that was re-made as a successful French film, La Cage aux Folles came to Broadway in 1983, with music and lyrics by Jerry Herman and a book by Harvey Fierstein.  It was made into the American film The Birdcage in 1996, starring Robin Williams and Nathan Lane.

This version of La Cage aux Folles is scaled back, and feels smaller than previous renditions.  The musicians have been raised from the orchestra pit to theater boxes above the stage, a design that brings the audience further into the intimate world of a nightclub. Some of the production numbers by Les Cagelles have a darker edge to them, more Cabaret than classic, colorful La Cage. But it works, largely due to the exceptional performance by Sieber.

Sieber, who was nominated for Tony Awards for playing Lord Farquaad in Shrek: The Musical and Sir Dennis Galahad in Monty Python’s Spamalot, is the heart and soul of the show.  What’s most impressive is that Sieber excels at turning this old chestnut of a role into his own special creation through little nuances and laugh-out-loud bits.  His flamboyance hits new heights on the drama queen scale, but he also nails the more poignant moments of the show.

While Sieber is the workhorse of this production, Hamilton brings the star power. Playing a charming nightclub host and master of ceremony is no real stretch for Hamilton, whose affable manner is as ingrained as his electric white smile and bronze perma-tan. And while his acting style is better suited to the screen than the stage, his low-key performance allows his co-star to shine all the more. 

Tuesday, June 19, 2012

Current Productions for the week of June 18, 2012

AVENUE Q by Robert Lopez, Jeff Marx and Jeff Whitty
At The Andrews Living Arts Studio Until June 23

AVENUE Q is an "Autobiographical and Biographical" coming-of-age parable, addressing and satirizing the issues and anxieties associated with entering adulthood. Its characters lament that as children, they were assured by their parents, and by PBS's Sesame Street, that they were "special" and "could do anything"; but as adults, they have discovered to their surprise and dismay that in the real world their options are limited, and they are no more "special" than anyone else.
Warning: This Show Contains Puppet Nudity


Standing on Ceremony: The Gay Marriage Plays
Presented by City Theatre
At The Broward Center Until June 24
Experience an exciting, provocative evening of new short plays read by a dynamic, celebrity cast and written by some of America’s most illustrious playwrights.  Dealing in a personal way with same-sex marriage and equality, these American writers have created an evening that is at once as insightful and stirring as it is funny and heartwarming.  Celebrate post-show at a wedding reception complete with music and wedding cake!  A portion of all proceeds will be donated to Equality Florida.


Small Membership by Mark Della Ventura
At The Alliance Theatre Lab Until June 24
Matt, a big boy with a small problem, is 26 years old and seeking attention and guidance from a group of strangers.  The show centers on male insecurity and through a series of flashbacks we see his childhood and adulthood struggles with puberty, sexual orientation, anxiety, true love, heartbreak and self-determined celibacy.


A Bicycle Country by Nilo Cruz
At New Theatre Until June 24
Three characters, whose lives seem to be moving nowhere, set out to build a dream even if that dream seems perilous.  This stirring portrait of three Cuban exiles and their harrowing journey across the Caribbean Sea, in the play by Pulitzer Prize winning playwright Nilo Cruz,  examines the universal themes of freedom and oppression, hope and survival.


La Cage Aux Folles Staring George Hamilton
The Broward Center for the Performing Arts Until June 24
LA CAGE tells the story of Georges, the owner of a glitzy nightclub in lovely Saint-Tropez, and his partner Albin, who moonlights as the glamorous chanteuse Zaza. When Georges' son brings his fiancée's conservative parents home to meet the flashy pair, the bonds of family are put to the test as the feather boas fly!


The Edge of our Bodies by Adam Rapp
At Mosaic Theatre Until July 1
The Edge of Our Bodies was a tremendous hit at this year's Humana Festival and features Bernadette, sixteen, on the train from her New England private school to New York City to give her boyfriend some big news. Achingly articulate about all she can't know or control, this play captures a young woman at the threshold of vulnerability and experience.


DeathTrap by Ira Levin
Miami Beach Stage Door Theatre Until July 1
The trap is set… for a wickedly funny who’ll-do-it. Broadway’s longest-running mystery is a classic pulse-pounding thriller with devilishly wicked characters and multiple twists. The plot thickens as a once famed playwright, now living on his laurels, is sent a more-than-promising manuscript from an aspiring playwright. His dilemma: Can he get the young author to collaborate with him?  If not – is murder an option?  Of course it is.


Love Scenes by David Pumo
At Emire stage Until July 1
Six, individual scenes.  Each with it's own flavor and perspective.  Each depicting a different type of relationship in gay america.  Each unique chacrter as different as six random people you would meet on the street.  All played by one actor.
Warning: Nudity and adult themes.


Xanadu by Douglas Carter Beane, Jeff Lynne and John Farrar
At Slow Burn Theatre Co. Until July 1
XANADU follows the journey of a magical and beautiful Greek muse, Kira, who descends from the heavens of Mt. Olympus to Venice Beach, California in 1980 on a quest to inspire a struggling artist, Sonny, to achieve the greatest artistic creation of all time – the first ROLLER DISCO This tale of endless fun will keep you in stitches, while the legendary chart-topping tunes will lift you out of your seat. You’ll want to keep the music in your head, and XANADU in your heart, forever.



Monday, June 18, 2012

Standing on Ceremony: The Gay Marriage Plays


City Theatre and The Broward Center Presents

Standing on Ceremony: The Gay Marriage Plays

June 21 - June 24

Xanadu by Douglas Carter Bean, Jeff Lynne and John Farrar

Slow Burn Theatre Co. Presents
Xanadu

Music and Lyrics by Jeff Lynne and John Farrar
Book by Douglas Carter Beane
June 22 – July 1

Friday, June 15, 2012

The Past Week In Theatre History (June 11 – June 15)

The Past Week In Theatre History (June 11 – June 15)
By David Gewirtzman, Ernio Hernandez
Anne Bradley, Robert Viagas, and Doug Nevins


1894    Birthday of Robert Russell Bennett (1894-1981), orchestrator of Broadway classics including the original Sunny; Show Boat; Anything Goes; Oklahoma!; Annie Get Your Gun; Kiss Me, Kate; The King and I, My Fair Lady, Camelot and The Sound of Music. He was honored with a special Tony Award on the anniversary of his birthday in 2008.

1929    Birthday of Broadway composer Cy Coleman, (1929-2004) whose multidextrous scores for shows like Sweet Charity, I Love My Wife, On the Twentieth Century, The Will Rogers Follies, The Life and City of Angels will show him to be equally adept with jazz, operetta, Big Band, country and R&B.

1955    The American actor-manager Walter Hampden dies in Hollywood at age 75. In 1925 he leased the Colonial Theatre and played in revivals of Ibsen and Shakespeare. Cyrano de Bergerac was his most memorable role.

1956    The revue New Faces of 1956 showcases the talents of future stars Maggie Smith, Jane Connell, Tiger Haynes, Viginia Martin, Bill McCutcheon and Inga Swenson. The show offers sketches by Neil and Danny Simon, Paul Lynde and Louis Botto, and songs by Marshall Barer and Ronny Graham, among others.

1961    Bye Bye Birdie opens at London's Her Majesty's Theater. Chita Rivera, the star of the original Broadway production, reprises her role opposite Marty Wilde, Peter Marshall and Angela Baddeley. The West End staging of the Charles Strouse-Lee Adams musical will last 268 performances.

1961    American ideals and and practices are put on trial as The Red Eye of Love opens at New York's Living Theatre. The satire by Arnold Weinstein will last 169 performances.

1963    Stage actor Howard Da Silva finds himself at the other end of the spectrum: as director of a Lewis John Carlino double bill. Shelley Winters and Jack Warden star in the two one acts, Snowangel and Epiphany. The production will run 22 weeks.

1965    Legendary theatre is made when the husband-and-wife team of Hume Cronyn and Jessica Tandy open in The Cherry Orchard at the Tyrone Guthrie Theater in Minneapolis. Variety hails this latest production as "the outstanding presentation of the Chekhov classic in a lifetime of theatregoing and would be a credit to any company." Cronyn and Tandy will continue to grace the stage together for many years to come in such productions as Foxfire and The Gin Game.

1966    The New York Shakespeare Summer Festival is under way as Central Park's Delacorte Theater opens for its summer season. Among this year's productions: All's Well That Ends Well and Richard III, featuring such talents as Christopher Walken, Barbara Barrie, and Richard Jordan.

1966    Audiences can't help but laugh as The Kitchen opens at the 81st Street Theater in New York. The raucous comedy, set in the kitchen of a popular restaurant at dinner time, featured Rip Torn, Constance Clarke, and Sylvia Miles. After opening night, dinner will continue to be prepared on stage for 136 more performances.

1967    Michael Langham stages his final season as artistic director of Canada's Stratford Shakespeare Festival. His final production with the Festival is a new staging of Shakespeare's Anthony and Cleopatra.

1970    Parliamentary history is made as Sir Laurence Olivier becomes the first actor to be seated in Britain's House of Lords when he is named a life peer. At the time, he is playing Shylock in a National Theatre production of The Merchant of Venice.

1974    The World of Lenny Bruce, opens at the Players Theatre. Frank Spieser's one-man show, in which he impersonates the satirist Lenny Bruce, will run for 17 weeks.

1979    Flowers for Algernon, a new musical by Charles Strouse and David Rodgers, opens at London's Queen's Theatre. Based on the novel by Daniel Keyes, the show stars a pre-Phantom Michael Crawford as mentally handicapped Charlie Gordon, the same role that won Cliff Robertson an Oscar for "Charly," the film version of the novel. Cheryl Kennedy co-stars in the musical, which will run 28 performances and spawn an ill-fated Broadway production.

1979    Film star Al Pacino (already a household name thanks to the "Godfather" films and "Dog Day Afternoon") returns to his Broadway roots as the title role in Richard III. The production of the Shakespearean tragedy, staged at the Cort Theater, does not garner strong reviews for its leading man, whose persona is deemed unsuitable for the role.

1980    The life and loves of Frank Harris are set to music in the musical Fearless Frank which opens at the Princess Theatre tonight. The short-lived homage runs only 12 performances.

1983    Samuel Beckett is examined in three parts as his Ohio Impromptu, Catastrophe and What Where are presented Off Broadway at the Harold Clurman Theatre. The evening of one-acts will run 350 performances until it closes April 15, 1984. Alan Schneider directs a cast that features David Warrilow, Rand Mitchell, Donald Davis, Daniel Wirth and Margaret Reed.

1985    Neil Simon's The Odd Couple gets a revised and reversed revival at the Broadhurst Theatre. Gene Saks directs Rita Moreno as Olive Madison and Sally Struthers as Florence Unger in the play that was originally written for men. The production will play 295 performances before closing on Feb. 23 of the following year.

1986    Alan Jay Lerner, lyricist and librettist of a number of musicals, dies today at the age of 67. Frederick Loewe, his long-time collaborator, and he produced such shows as Brigadoon, Paint Your Wagon, My Fair Lady, Camelot and Gigi.

1987    Actress Geraldine Page dies of a heart attack at the age of 62. The stage star of Sweet Bird of Youth and Agnes of God was performing in a revival of Noel Coward's Blithe Spirit at the time of her death. As a screen actress she was honored with seven Academy Award nominations before finally winning Best Actress for her turn in "The Trip to Bountiful." She also earned two Emmy Awards for roles in TV movies and, though nominated thrice for Tony Awards, was never awarded one.

1988    Director Jose Quintero helms a revival of Eugene O'Neill's Long Day's Journey Into Night at Broadway's Neil Simon Theatre. Jason Robards stars as James Tyrone and Colleen Dewhurst as his wife Mary in the production that runs in repertory with another O'Neill play, Ah, Wilderness!.

1990    Actor Charles Grodin knows the Price of Fame as his show opens Off-Broadway. The Roundabout Theatre Company production features Grodin, Lizbeth Mackay, Jace Alexander, Joseph R. Sicari and Michael Ingram under the direction of Gloria Muzio.

1995    Michael John LaChiusa makes his Broadway debut writing additional music to Bob Telson's score to Chronicle of A Death Foretold, a musical directed by Graciela Daniele, based on the novel by Gabriel García Márquez. It runs just 37 performances, but gets nominated for Best Musical in the 1996 Tony Awards.

1996    The world of pornography enters the theatre as Ronnie Larsen's Making Porn plays at the Actor's Playhouse. The erotic comedy-drama, in which a straight man becomes a porn star in the gay adult video industry, stars Rex Chandler. Larsen directed and also co-starred in the production, which ran 395 performances.

1998    The Jello Is Always Red, a musical revue of his songs and sketches by Clark Gesner, who created You're a Good Man, Charlie Brown, plays Off Broadway at the York Theatre Company. James Morgan directs the production starring Celia Gentry, Neal Young and Gesner himself.

2000    Tony takes its toll as two shows close one week following the Awards. Elaine May's Taller Than a Dwarf, which opened on April 24 at Broadway's Longacre Theatre, did not receive any Tony nominations and Michael John LaChiusa's The Wild Party, which received seven noms, were both shut out and subsequently shut down.

2001    Six years after the untimely death of its composer, tick, tick...BOOM!, the autobiographical musical by Rent author Jonathan Larson, is rescued from his trunk and opens Off-Broadway.

2002    The Phantom of the Opera plays its 6,000th performance on Broadway.

2002    Future Tony-winning musical Hairspray begins a triumphant tryout at Seattle's Fifth Avenue Theatre.

2002    Robert Whitehead, who, over a 50-year career produced landmark stagings of everything from Arthur Miller to Euripides to Terrence McNally, dies at age 86, just two weeks after receiving a Tony Award for Lifetime Achievement.

2003    After touring North America consistently since 1988, the third national company of Les Misérables, the Cameron Mackintosh-produced musical, takes a summer hiatus after its Utah engagement ends today.

2011    Following the longest preview period in Broadway history — performances began Nov. 28, 2010 — Spider-Man: Turn Off the Dark officially opens at Broadway's Foxwoods Theatre. Over the course of its 182 previews, original director/librettist/designer Julie Taymor is replaced by creative consultant Philip Wm. McKinley and librettist Roberto Aguirre-Sacasa, who make changes to the musical during a monthlong hiatus in April/May 2011. Reeve Carney stars as the superhero with the powers of a spider in the show which cost a reported $75 million, by far the most expensive in Broadway history.

2011    Lend Me a Tenor The Musical, based on the hit Ken Ludwig stage comedy, opens in London at the West End's Gielgud Theatre. The musical features book and lyrics by Peter Sham and music by Brad Carroll.


More of This Week’s Birthdays:  Ben Jonson 1572. Richard Strauss 1864. Basil Rathbone 1892. Burl Ives 1909. Bernard B. Jacobs 1916. Dorothy McGuire 1916. Gene Barry 1919. Uta Hagen 1919. Rex Everhart 1920. Paul Lynde 1926. Athol Fugard 1932. Gene Wilder 1933. Daniel Sullivan 1940. Lorraine Serabian 1945. Laurie Anderson 1947. Richard Thomas 1951. Julie Hagerty 1955. Polly Draper 1956. Helen Hunt 1963. Jere Shea 1965. Neil Patrick Harris 1973.

Wednesday, June 13, 2012

Reviews of Small Membership at Alliance Theatre Lab

The Alliance Theatre Lab presents Small Membership, written by and Starring Mark Della Ventura.  Directed by David Sirois.  Lighting Design by Natalie Taveras.  Set Design by Jodi Dellaventura.


Christine Dolen reviewed the show for the The Miami Herald:
Actor and playwright Mark Della Ventura has been developing his 75-minute play Small Membership for three years, a long time for a relatively short play. But that’s nothing compared to the time his character Matt has spent obsessing over a cruel trick of physical fate played on him by God or rotten luck or maybe just drawing the short straw, genetically speaking.

Matt, you see, is under-endowed. He has also been, for much of his 26 years, pudgy, shy, socially awkward, angry, not quite certain of his sexual orientation and afraid to take a chance on love, physically or emotionally.

For Matt, torment is everywhere and unrelenting. There’s the uncle who dubbed his 8-year-old nephew “Fatty Matty,” and much worse. Mom, who assures Matt that “one day you’ll find a nice girl who’ll see you for who you are on the inside.” Alleged “friends,” who would vie for creative ways to put him down, though mostly they settled for that middle-school staple, “gay.”

Della Ventura is an easygoing actor who, under the direction of his long-time pal David Michael Sirois, commits fully to each potentially embarrassing twist and turn in Matt’s tale. Moving around the tidy classroom set designed by his sister Jodi (who spells her last name “Dellaventura”), the actor relives different traumatizing or emotionally challenging moments in Matt’s past, with an assist from lighting designer Natalie Taveras.

Bill Hirschman reviewed the show for Florida Theater On Stage
Matt’s tone and that of the play is wry and witty but underpinned with an unrelenting underground stream of pain, pessimism and sadness.  In high school, “my penis was still in middle school.” He prays to God for something larger.  Instead, he finds his torso matted with body hair. “I went to bed a baby; I woke up Robin Williams.”

No surprise: The play is gleefully brim-full of double entendres, crudities and profanities including virtually every euphemism and slang you’ve ever heard for a penis and scrotum.

What rescues all this from running a bit thin or being overly mawkish is the genial persona of Della Ventura under the direction of his long-time collaborator David Michael Sirois, both key members of Alliance’s core company and the bedrock of Alliance’s season of all-original works. With a Stan Laurel squint and grin, Della Ventura once again proves to be adept at portraying affable teddy bears who are intelligent, funny and engaging.

But the evening seems as blunted as Matt. Della Ventura’s Matt is droll and moving and vital when he is acting out flashback conversations. His plaintive rendition of “What Kind of Fool Am I” in a karaoke bar is simultaneously poignant and comic.

The problem arises in his narration to the self-help group (and us), which makes up half the play. In it, he is so beaten down that it’s hard to adopt him as our surrogate. Matt is pathetic, not in the negative sense, but in the tears of a clown sense. He shambles right through punch lines and lets his voice dwindle off.

The only moment that doesn’t work well is the finale. Matt is dealt a devastating blow we won’t reveal. Yet without sufficient explanation, this has empowered him to accept who he is and go forward with a shred of self-acceptance. We really need a little more explanation here to make that credible.

Jodi Dellaventura’s setting is a dead-on recreation of those generic classrooms inappropriately repurposed at night as group confessionals. The lighting by Natalie Taveras smoothly switches from the cold light of the classroom to a half-dozen other places in Matt’s mind from a dazzling nightclub to the loneliness of a late-night phone call.

In the end, Small Membership succeeds because Della Ventura depicts a nice guy we’d like to have a beer with. We can see more clearly than Matt that his feelings of worthlessness are based on vagaries that are not his fault and are not indicative of what kind of person he is. He has let these irrelevancies blight his life. And, of course, we take comfort in that because we’re struggling with our own perceived shortcomings, physical and otherwise.

Reviews of Summer Shorts at the Arsht Center

City Theatre and The Adrienne Arsht Center presents the 17th annual short play festival, Summer Shorts.  Directed by: Margaret Ledford, Mark Swaner, and John Manzelli.  Featuring:  Todd Allan Durkin, Elizabeth Dimon, Irene Adjan, Katherine Wright, and Steven Trovillion

Bill Hirschman reviewed the show for Florida Theater On Stage

City Theatre’s annual rite of the season Summer Shorts has developed a well-earned reputation for being the dictionary definition of “uneven.” So it’s a relief that this 17th edition is the most consistently funny and entertaining in quite some time.

Some of the nine playlets still are markedly more hilarious than others, some are tight little gems of farce leavened with a bit of seriousness, some still meander before solidifying at the end. One doesn’t quite work. But the year-long effort by Producing Artistic Director John Manzelli to identify promising works has paid off in a uniformly better crop of scripts this year, none of the what-were-they-thinking entries that often marred the menu of Shorts in the past.

As usual, most have a racy irreverent flavor, such as the nerd who can give intense sexual pleasure with a twitch of his pelvis. All are rooted in the comic efforts of human beings trying to connect with each other, such as the widower who allows his fiancée to watch him talk to his deceased wife in the graveyard.

Even when the scripts aren’t as strong as you’d hope, the directors and cast deliver them with enough punch, passion and craft that they are still diverting.

Christine Dolen reviewed the show for the The Miami Herald:
Irene Adjan starts things off hoofing her way through Israel Horovitz’s The Audition Play, justifiably wondering why her potential director (Todd Allen Durkin) is so fixated on her accent when, in fact, she’s trying out for a non-speaking, non-Equity chorus job that is also non-paying.

Then Durkin reappears as a bewigged John Adams in Adam Peltzman’s Bedfellows. Inspired by a real night in 1776 when Adams and Benjamin Franklin were forced to share a room and a bed in a crowded New Jersey inn.  The fussy, proper Adams is constantly annoyed by the inventive, free-spirited, self-admiring Franklin (Stephen Trovillion). Those founding-father bedfellows are strange – but very, very funny.

Lojo Simon’s Moscow pairs Katherine Wright as Jen, a feminist academic and fairly new mom, with Elizabeth Dimon as Ruth, her kvetching Jewish mother from Florida. The two have climbed hilly Idaho terrain for a made-up, baby-connected ritual that Jen hopes will become a special bond, though Ruth remains focused on just how far Idaho is from Florida.

Christopher Demos-Brown’s The Man from Mars is an out-there comedy about a nerdy guy (Trovillion) whose special gift is the ability to bestow instant sexual pleasure on anyone through a funny little gesture.
The Britneys brings together three gals in a book club, one of those “literary” gatherings in which gossip and alcohol always seem to win out over meaningful analysis of that month’s selection. Dimon shines in this one as a micromanaging emotional wreck.

Arguably the sweetest play is Gregory Bonsignore’s 3, a piece about a widower (Trovillion) who brings the new woman in his life (Adjan) to one of his regular visits to his late wife’s grave site. The guy is still deeply connected to the woman he loved, connected in a way that might make most women give up.

Joyce Turiskylie’s I’ll Be There pairs a successful, well-prepared stalker (Trovillion) and a woman with whom he had a single date (Dimon). It’s an odd comedy made artful through the innocence and openness the actors bring to their roles.

In Carey Crim’s Green Dot Day, a wife (Adjan) and husband (Durkin) with fertility issues wrangle on a good baby-making day. Both actors are terrific, funny and angst-ridden, as they communicate the frustrationns and hopes of a loving couple wanting to become parents.

The festival wraps up with Reality Play, directed and written by Swaner, in which Durkin reels off some of the key conventions of reality TV (physical humiliation, booze, eating bad stuff, emotional humiliation, inappropriate fits of anger, a makeover) and proceeds to act out each one, with an assist from Wright.

Tuesday, June 12, 2012

Current Productions for the week of June 11, 2012

Proof by David Auburn
At The Palm Beach Dramaworks Until June 17
Catherine is the daughter of a recently deceased mathematical professor, Robert, whom she cared for during his lengthy mental illness.  Upon Robert's death, his ex-graduate student Hal discovers a paradigm-shifting proof about prime numbers in Robert's office.  Can Catherine prove the proof's authorship and authenticity while at the same try and sidestep her father’s inheritance of insanity?


Summer Shorts
Presented by City Theater
At The Adrienne Arsht Center Until June 17
Summer Shorts is one fast and furiously fun program of the nation's hottest "short" plays! Strung together in a whirlwind of bite-size nuggets, these mini-plays will one minute have you laughing hysterically and the next shocked beyond belief. Hang on for the ride of your life in this wonderful evening of theater that promises something for absolutely everyone!


Don't Rain On Our Parade: A Tribute to Barbar Streisand, Bette Midler and Carole King
At The Plaza Theatre Until June 17
The one-act performance, directed by Kevin Black, will feature performers Melissa Jacobson, Shelley Keelor, and Missy McArdle belting out the hits we’ve all sung for years including: The Way We Were; Boogie Woogie Bugle Boy; Wind Beneath My Wings; You Make Me Feel Like A Natural Woman; Will You Still Love Me Tomorrow; Chapel of Love; Locomotion; and One Fine Day.


AVENUE Q by Robert Lopez, Jeff Marx and Jeff Whitty
At The Andrews Living Arts Studio Until June 23

AVENUE Q is an "Autobiographical and Biographical" coming-of-age parable, addressing and satirizing the issues and anxieties associated with entering adulthood. Its characters lament that as children, they were assured by their parents, and by PBS's Sesame Street, that they were "special" and "could do anything"; but as adults, they have discovered to their surprise and dismay that in the real world their options are limited, and they are no more "special" than anyone else.
Warning: This Show Contains Puppet Nudity


Small Membership by Mark Della Ventura
At The Alliance Theatre Lab Until June 24
Matt, a big boy with a small problem, is 26 years old and seeking attention and guidance from a group of strangers.  The show centers on male insecurity and through a series of flashbacks we see his childhood and adulthood struggles with puberty, sexual orientation, anxiety, true love, heartbreak and self-determined celibacy.


A Bicycle Country by Nilo Cruz
At New Theatre Until June 24
Three characters, whose lives seem to be moving nowhere, set out to build a dream even if that dream seems perilous.  This stirring portrait of three Cuban exiles and their harrowing journey across the Caribbean Sea, in the play by Pulitzer Prize winning playwright Nilo Cruz,  examines the universal themes of freedom and oppression, hope and survival.


La Cage Aux Folles Staring George Hamilton
The Broward Center for the Performing Arts Until June 24
LA CAGE tells the story of Georges, the owner of a glitzy nightclub in lovely Saint-Tropez, and his partner Albin, who moonlights as the glamorous chanteuse Zaza. When Georges' son brings his fiancée's conservative parents home to meet the flashy pair, the bonds of family are put to the test as the feather boas fly!


The Edge of our Bodies by Adam Rapp
At Mosaic Theatre Until July 1
The Edge of Our Bodies was a tremendous hit at this year's Humana Festival and features Bernadette, sixteen, on the train from her New England private school to New York City to give her boyfriend some big news. Achingly articulate about all she can't know or control, this play captures a young woman at the threshold of vulnerability and experience.


DeathTrap by Ira Levin
Miami Beach Stage Door Theatre Until July 1
The trap is set… for a wickedly funny who’ll-do-it. Broadway’s longest-running mystery is a classic pulse-pounding thriller with devilishly wicked characters and multiple twists. The plot thickens as a once famed playwright, now living on his laurels, is sent a more-than-promising manuscript from an aspiring playwright. His dilemma: Can he get the young author to collaborate with him?  If not – is murder an option?  Of course it is.


Love Scenes by David Pumo
At Emire stage Until July 1
Six, individual scenes.  Each with it's own flavor and perspective.  Each depicting a different type of relationship in gay america.  Each unique chacrter as different as six random people you would meet on the street.  All played by one actor.
Warning: Nudity and adult themes.

Monday, June 11, 2012

DeathTrap by Ira Levin

Miami Beach Stage Door Theatre presents
DeathTrap
Book by Ira Levin
June 15 - July 1

La Cage Aux Folles

The Broward Center for the Performing Arts Presents
La Cage Aux Folles

Staring George Hamilton
June 12 – June 24

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